"Meanwhile, the wind players, with joyful anticipation, moved into the cool, thatched-roof lounge. There, we assembled and tuned our instruments, and played quintets by composers such as Anton Reicha, Frans Danzi, and an unknown’s beautiful transcription of a Mozart violin sonata. Each member of the group was immersed in the music – the notes on the page translating from little black dots to glorious sounds; fingers flew, lungs breathed in and out with great control, tongues attacked reeds; and the magic happened: five individuals became the voice of the composers, the very voice of music. Marion joined us on the keyboard, and the glory of the music surrounded us, absorbed us all: the silver song of the flute, the plaintive sadness of the oboe, the burbling delight of the clarinet, the sonorous and sometimes pompous roundness of the French horn, the insistent, rich, deep jocularity of the bassoon, were joined by the majestic might of the piano… We played the Brahmsian Thuille wind-and-piano sextet; a superb arrangement of a Dvorak work. The music we made poured from the cool, dark chalet into the sun-drenched bushveld…
Outside, sunbirds the size of a thumb and the colours of brightly-polished jewels flashed through the trees, calling and twittering; monkeys leapt from the branches onto the deck where the table was now clear, except for a large bowl of fruit; and dainty antelope paused to drink from the river that flowed lazily past, lifting their heads now and then to look around with large and fearful dark eyes, wondering if they would be tomorrow morning’s meal for the roaring lions...
In this magical column musician and writer Isabel Bradley combines her enthusiasm for great music with a passion for Africa and its wildlife.
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